It was at Occultfest 2015 when I was first struck by the performance of Desolate Fields as opening act of that festival. After that, I ran into this band quite a few times and every time they were the opening act and every time they impressed me. Even if some sound engineer thought it would sound better with the volume turned up passed the maximum level.
I was told that the reason this band played mostly as opening act, was the fact that they hadn’t released a CD yet. Well, there is one now so expect this band to climb the bill pretty soon.
Track by track
The first track of ‘Past Apocalyptic Dates’ is titled “Ramblings of a Stone Man” and starts of very atmospheric with strings/synthesizer. After a quite fast break, the melodic influences kick in and there are some beautiful parts with a fast high pitched guitar.
“Stained Papers” starts of very melodic too, and I kinda like that. That and the tempo changes of the in the song with the guitar leading its own life. Sometimes it blends in and sometimes it demands the centre stage. The combination of clean singing and grunting is very enjoyable.
“Enviro” has a longer slow intro and up unto three-quarters of the song it feels a bit slow and sluggish, which makes for an interesting listening session.
The fourth track is named “Vultures” and starts of quite aggressively. It is a pretty straightforward Death Metal song, but when it starts to get “plain”, there is a surprising change in tempo and atmosphere.
With 2:26 “A Visible Mass of Vapour” is the shortest track on the album. The build-up is quite sublime. Starting with ambient noises which get louder and gain in definition, they grow out to pure atmospheric sounds, which seem like an advertisement to the next track on this album; “Hollow Earth”.
I must admit when I got this album, the first track I played was track 6; “Hollow Earth”. I heard this track on a few occasions live and was pretty impressed by it. To hear it now in a studio version, I am impressed again. The “live” feeling is completely there and the layering and complexity reminds me a bit of bands like Tribulation and Textures.
The slow double bass drum, the dark voice and a perfect amount of twists and turns of direction and tempo… This is a song which unveils new discoveries with every time you listen to it.
The penultimate song of this album is its title track “Past Apocalyptic Dates”. On this song the soft voice of Jochem is the only critical comment. The build-up of this song is great as is the variation within this song. “Past Apocalyptic Dates” is maybe the most traditional death metal track on this album, but it has a twist too (of course). The semi-spoken part is the start of a more melodic part followed by a more brutal part… and waving back and forth between those two.
With “Blister” the album comes to an end. “Blister” is in harmony with “Past Apocalyptic Dates” and is a kinda slow death metal track, which makes it quite intense. It is quite long too; with 7:28, only “Enviro” and “Hollow Earth” are longer. The song has the interesting composition that is characteristic for this album. The album does not end with a fade out, but it extinguishes in a rather interesting way.
What a great album this has become! Apart from the volume of the vocals in some songs (which could be a bit louder), the quality of this first (!) album of Desolate Fields is extremely good!
These guys really worked hard to compose a musically coherent album and in the mean time they didn’t lose themselves in technicalities, but stayed close to their live sound. That’s an achievement in my book!
There is a great variation in songs on this album and even the songs themselves consists of lots of changes and variations. The build-up of almost every song is quite complex and much cared for.
01 Ramblings of a Stone Man
02 Stained Papers
05 A Visible Mass of Vapour
06 Hollow Earth
07 Past Apocalyptic Dates